Popping Dance

Popping is a street dance and one of the original funk styles that came from California during the 1960s-1970s. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses.^[1]

Closely related illusionary dance styles and techniques are often integrated with popping to create a more varied performance. These dance styles include the robot,waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.

As one of the earliest funk styles, popping is closely related to hip hop dancing. It is often performed in battles, where participants try to outperform each other in front of a crowd, giving room for improvisation and freestyle moves that are seldom seen in shows and performances, such as interaction with other dancers and spectators. Popping and related styles such as waving and tutting have also been incorporated into the electronica dance scene to some extent, influencing new styles such as liquid and digits and turfing.

Related styles and techniques

AnimationThere are a number of dance styles and techniques that are commonly mixed with popping to enhance the dancer's performance and create a more varied show, many of which are seldom seen outside of popping contexts. They can be seen as separate styles related to popping or as a part of popping when using it as an umbrella term.

A style and a technique where you imitate film characters being animated by stop motion. The technique of moving rigidly and jerky by tensing muscles and using techniques similar to strobing and the robot to make it appear as if the dancer has been animated frame by frame. This style was heavily inspired by the dynamation films created by Ray Harryhausen, such as The Seventh Voyage of Sinbad (1958).^[3]

Animatronics

A style that imitates animatronic robots. Related to the robot style, but adds a hit or bounce at the end of each movement.

Boogaloo

Boogaloo or boog style is a loose and fluid dance style trying to give the impression of a body lacking bones, partly inspired by animated movies and cartoons. It utilizes circular rolls of various body parts, such as the hips, knees and head, as well as isolation and sectioning, like separating the rib cage from the hip. It also makes heavy use of angles and various steps and transitions to get from one spot to the next. It was developed in 1975 by Boogaloo Sam. In the original boogaloo you do not pop, but combined with popping it becomes the electric boogaloo, the signature style of The Electric Boogaloos (the dance crew).^[1]

Main article: Electric boogaloo (dance)

Bopping

A style of popping in which the chest is isolated by being pushed out and brought back while flexing the chest muscles. As this movement is performed to the beat the popper can incorporate different moves in between the chest bop. When practiced the chest bop can be done at a double-time interval adding a unique effect to the move.

Crazy legs

A leg-oriented style focusing on fast moving legs, knee rolls and twisting feet. Developed in 1980-81 by Popin' Pete, originally inspired by the fast and agitated style of breaking by Crazy Legsfrom Rock Steady Crew.

Dime stopping

A technique of moving at a steady pace and then abruptly coming to a halt, as if attempting to stop on a dime. This is often combined with a pop at the beginning and/or end of the movement.

Floating, gliding and sliding

A set of footwork-oriented techniques that attempt to create the illusion that the dancer's body is floating smoothly across the floor, or that the legs are walking while the dancer travels in unexpected directions. Encompasses moves such as the backslide, which was made famous by Michael Jackson who called it the moonwalk.

Main article: Floating (dance)

Miming

Performing techniques of traditional miming to the beat of a song. Most commonly practiced are various movements with the hands as if one could hold onto air and pull their body in any possibly direction. Miming can also be used to allow a popper to tell a story through his or her dance. This style is often used in battles to show the opponent how they can defeat them.

Puppet

A style imitating a puppet or marionette tied to strings. Normally performed alone or with a partner acting as the puppet master pulling the strings.

Main article: Roboting

Robot/botting

A style imitating a robot or mannequin.

Main article: Robot (dance)

Scarecrow

A style imitating the scarecrow character of The Wizard of Oz. Claimed to be pioneered by Boogaloo Sam in 1977. Focuses on outstretched arms and rigid poses contrasted with loose hands and legs.

Strobing

A style of popping that gives the impression that the dancer is moving within a strobe light. To produce this effect, a dancer will take any ordinary movement (such as waving hello to someone) in conjunction with quick, short stop-and-go movements to make a strobing motion. Mastering strobing requires perfect timing and distance between each movement.

Main article: Strobing (dance)

Struttin

Struttin is a dance style originating out of the City of San Francisco, CA in the 1970s.

Ticking 

A way of popping where the dancer pops at smaller intervals, generally twice as fast as normal.

Toyman 

Based on action figures such as G.I. Joe and Major Matt Mason, developed by an old member of the Electric Boogaloos called Toyman Skeet. Goes between straight arms and right angles to simulate limited joint movement.

Tutting/King Tut

Inspired by the art of Ancient Egypt (the name derived from the Egyptian pharaoh Tutankhamun), tutting exploits the body's ability to create geometric positions (such as boxes) and movements, predominantly with the use of right angles. It generally focuses on the arms and hands, and includes sub-styles such as finger tutting.

Waving

Waving is composed of a series of fluid movements that give the appearance that a wave is traveling through the dancer's body. It is often mixed with liquid dancing.

Main article: Waving (dance)

Isolation 

A variety of intricate moves that create the illusion of separating, or isolating, parts of the body from the rest of the body. The most common types of isolation that poppers perform are head isolations, in which they seem to take their head out of place from the rest of their body and move it back in place in creative ways.